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TV licence South Africa: On-air payment claim sparks debate over SABC funding

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  • TV licence South Africa: On-air payment claim sparks debate over SABC funding
TV licence South Africa: On-air payment claim sparks debate over SABC funding
By Lesego Lehari, Aug 21 2025 / News

A claim that radio host Sol Phenduka paid his TV licence live on air has been circulating, but as of publication there’s no verified report or official audio confirming the incident. Even so, the chatter tapped into a bigger national argument: how South Africa should fund public broadcasting, and whether the TV licence still makes sense in an era of streaming and smartphones. Compliance has fallen to well under 30% in recent years, and the system has become a lightning rod for public frustration.

What we know — and what we don’t

Here’s the state of play. The specific on‑air payment story remains unconfirmed. Without a publicly available recording or statement from the broadcaster, it’s impossible to say whether the moment happened as described. What’s clear is why the idea resonated: people are tired of the confusion, the penalties, and the feeling that the burden falls unevenly — on households first, with big institutions and even government departments sometimes accused of dragging their feet.

Would an on‑air payment be unusual? Sure. But it’s technically possible. TV licences can be paid via retailers, EFT, or online channels, and there’s nothing in the rules that forbids paying publicly. The controversy isn’t about the method; it’s about the system. The SABC’s funding model has been shaky for years, and the licence has become a symbol of that instability.

How the TV licence works — and why it’s under pressure

South Africa’s TV licence is a legal requirement under the Broadcasting Act for anyone who owns a television set. The fee is currently R265 per year for a standard household licence, with a reduced concession for qualifying pensioners. Retailers are required to check that a buyer has a valid licence before selling a TV. It’s one licence per household, not per device, but additional sets must be declared.

  • Renewal: It’s due annually. If you’re late, penalties can apply and outstanding amounts can be handed to debt collectors.
  • Cancellation: If you dispose of your TV, you’re expected to notify the SABC and provide proof of disposal or transfer. Without that, the account keeps running.
  • Moving house: The licence follows the person or household, not the property. A new owner needs their own licence.
  • Enforcement: While criminal prosecution is possible, most enforcement involves debt collection and penalties rather than court action.

So why is the model under strain? The short answer: the way we watch has changed faster than the law. The current framework ties the fee to owning a TV set, while viewing has moved to phones, tablets, and smart devices. That creates gaps in funding and arguments over fairness. There have been formal proposals to replace the licence with a broader public service media levy — often called a “household levy” — that would be device‑neutral. Policymakers have discussed this for years, but there’s no final decision yet.

Another pressure point is trust. Auditors and annual reports have repeatedly flagged poor collection rates and arrears. When the public sees weak compliance from large entities — including parts of the public sector — it undercuts the message that households must pay on time. At the same time, the SABC argues it needs stable, predictable funding to meet its public mandate: local news, educational content, and coverage in multiple languages.

For ordinary viewers, the practical questions matter most. Do you need a licence if you only stream? The law is written around TV set ownership, not streaming subscriptions. If you own a TV, you need a licence — even if you mostly watch online services. If you truly don’t own a TV, you don’t need a licence, but cancelling requires paperwork; simply unplugging the set doesn’t end the obligation.

What should people do right now? Keep your account details up to date, declare additional sets, and keep proof if you sell or dispose of a TV. If you’re eligible for a pensioner concession, apply rather than falling into arrears. And be cautious of scams — payments should only be made through official retail partners, legitimate banking channels, or the SABC’s designated platforms.

Policy will keep evolving. The Department of Communications and Digital Technologies has been weighing a device‑neutral model, while the SABC continues to push for better collections and a modern funding mix. Until Parliament settles on a durable approach, the TV licence South Africa debate will flare up every time a payment story — verified or not — hits the headlines.

Tags:
    TV licence South Africa Sol Phenduka SABC broadcasting levy
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Comments

Sonia Singh

Sonia Singh

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August 21, 2025 AT 18:40

Just a heads‑up, the licence thing feels like a relic in today’s streaming world.

Ashutosh Bilange

Ashutosh Bilange

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August 22, 2025 AT 16:54

Yo, this whole TV licence drama is blowing up faster than a bad wifi signal! People act like the SABC is some secret society that hoards cash, but the law is clear – if you own a box you gotta pay. It's not rocket science, just a R265 fee that most folks ignore until the debt collectors start ringing. So before we start a full‑blown riot, maybe check your own TV paperwork.

Kaushal Skngh

Kaushal Skngh

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August 23, 2025 AT 13:44

Honestly, the licence system feels lazy – it was set up for a different era and no one bothered to modernise it. The compliance numbers are a joke, yet the penalties keep coming.

Harshit Gupta

Harshit Gupta

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August 24, 2025 AT 09:10

While you call it “lazy,” you forget that the licence funds a broadcaster that actually promotes South African culture and languages. Dismissing it as outdated undermines the very identity we should protect, especially when foreign streaming giants dominate.

HarDeep Randhawa

HarDeep Randhawa

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August 25, 2025 AT 03:14

Well, consider this: the licence is a relic, yes, but also a revenue stream, yes, that could be redirected, yes, into a modern levy, yes, that treats phones and tablets equally, yes, and finally, perhaps, it would finally stop the public’s fury.

Nivedita Shukla

Nivedita Shukla

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August 25, 2025 AT 19:54

The myth of the TV licence is a mirror reflecting our collective anxieties about change.
We cling to the tangible flicker of a CRT or LED as if it were a talisman against the intangible streams that flood our lives.
Yet the law, penned in a pre‑digital epoch, stubbornly ties civic duty to an object that many no longer own.
Each unpaid fee becomes a ghost, haunting households with letters that smell of bureaucracy.
When Sol Phenduka allegedly paid on‑air, the image of a man tossing coins into a microphone evoked an ancient offering at a shrine.
Whether true or not, the story taps into a primal desire to see accountability performed publicly.
The SABC, caught between financial hemorrhage and a mandate to serve the nation, resembles a wounded animal seeking shelter.
Its funding model, reliant on a flat fee, ignores the fact that today a single smartphone can deliver more content than a whole generation of televisions.
Proposals for a device‑neutral levy promise equality, yet they also whisper of state overreach, a fear not unfamiliar in our history.
Critics argue that such a levy could become another tax, invisible but ever‑present, feeding a distant bureaucracy.
Supporters, on the other hand, claim it is the only way to preserve local news, education, and multilingual programming that big platforms ignore.
The tension between these visions is not merely economic; it is existential, pitting a shared cultural space against a globalized market.
As citizens, we must ask whether we are willing to sacrifice a piece of our heritage for the convenience of on‑demand streaming.
Or perhaps we should demand a reimagined public broadcaster, funded by a transparent, progressive system that reflects how we actually consume media.
Until such a compromise is forged, stories like the on‑air payment will continue to ignite debate, serving as both distraction and reminder of the unfinished business of democracy.

Rahul Chavhan

Rahul Chavhan

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August 26, 2025 AT 11:10

If you’re still buying a TV, just make sure you’ve got the licence up to date. It’s a simple step that avoids extra hassle later.

Joseph Prakash

Joseph Prakash

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August 27, 2025 AT 01:04

👍 keep it simple and lock that licence in ✅

Arun 3D Creators

Arun 3D Creators

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August 27, 2025 AT 13:34

Life is a screen, whether you watch it on glass or on a phone, the story stays the same.

RAVINDRA HARBALA

RAVINDRA HARBALA

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August 28, 2025 AT 00:40

The data shows licence compliance dropped below 30% over the past five years, indicating systemic failure rather than individual neglect.

Vipul Kumar

Vipul Kumar

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August 28, 2025 AT 10:24

For anyone feeling lost in this mess, start by checking your TV purchase receipt; most retailers note the licence status, and you can register online if needed.

Priyanka Ambardar

Priyanka Ambardar

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August 28, 2025 AT 18:44

South Africa deserves a broadcasting system that respects our roots, not a borrowed model that erodes our culture 😠.

sujaya selalu jaya

sujaya selalu jaya

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August 29, 2025 AT 01:40

It might be time to revisit the act and see if a modern levy could replace the old licence.

Ranveer Tyagi

Ranveer Tyagi

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August 29, 2025 AT 07:14

Indeed! The current R265 fee is outdated; a tiered levy based on income and device usage would be far fairer!!! It would also close the loophole where big corporations slip through unpunished!!!

Tejas Srivastava

Tejas Srivastava

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August 29, 2025 AT 11:24

Honestly, the whole debate feels like a tug‑of‑war between nostalgia and progress, and everyone’s pulling hard.

JAYESH DHUMAK

JAYESH DHUMAK

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August 29, 2025 AT 14:10

From a policy perspective, the broadcasting act was drafted at a time when analogue transmission dominated, and the notion of a single household owning one television set was a reasonable proxy for media consumption. Over the ensuing decades, however, the proliferation of digital platforms has decoupled content from hardware, rendering the licence model increasingly inefficient. Empirical studies from other jurisdictions suggest that device‑agnostic funding mechanisms-such as a universal media levy-enhance revenue stability while promoting equitable access. Nonetheless, the transition requires careful calibration to avoid regressive impacts on low‑income households. Stakeholder consultations have repeatedly emphasized the need for transparent allocation of funds to sustain local content production. Moreover, any reform must align with constitutional guarantees of freedom of expression and cultural rights. Ultimately, the success of a new model will hinge on public trust, administrative competence, and political will.

Santosh Sharma

Santosh Sharma

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August 29, 2025 AT 16:24

Let’s channel our frustrations into constructive dialogue with policymakers; together we can shape a funding system that works for everyone.

yatharth chandrakar

yatharth chandrakar

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August 29, 2025 AT 18:04

If you have questions about how to cancel or transfer your licence, feel free to ask – I’m happy to walk you through the steps.

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